Publication Date: Oct 08, 2019
List Price US $13.99
List Price US $23.00
Trim Size (H x W): 5 x 7.5
From a writer who worked at the Metropolitan Museum for more than twenty-five years, an enchanting novel that shows us the Met that the public doesn’t see.
Hidden behind the Picassos and Vermeers, the Temple of Dendur and the American Wing, exists another world: the hallways and offices, conservation studios, storerooms, and cafeteria that are home to the museum’s devoted and peculiar staff of 2,200 people—along with a few ghosts.
A surreal love letter to this private side of the Met, Metropolitan Stories unfolds in a series of amusing and poignant vignettes in which we discover larger-than-life characters, and the powerful voices of the art itself. The result is a novel bursting with magic, humor, and energetic detail, but also a beautiful book about introspection, an ode to lives lived for art, ultimately building a powerful collage of human experience and the world of the imagination.
Excerpt from Metropolitan Stories
“We” are the art, the evidence, the beauty that these walls are built around and that these lights proclaim important. Objects made of everything, anything: yes, paint and marble, bronze and gold, glass, silver, paper, clay, but also steel and ribbons, mud and hair, wood, wire, and bones. We come from everywhere: tombs and closets, palaces and studios, floors and ceilings, fortresses and temples, sometimes
with parts of those places still clinging to us. Because so often we were removed by someone, somewhere, when that someone couldn’t wait, or we couldn’t stay.
“They” are our minders, men and women with a mothering, smothering kind of love for us. They fret over our every inch, every scratch, every wound, every questionable repair. They polish us like it’s the school play, every day. Our big moment for the world to see what beaming, glossy children we are.
Every piece of us is testimony: Whose eye chose that shape, whose hand made that line, whose mallet carved that bump? Show us what happened, they beg, so we’ll know.
Well, mamas, there’s been some mileage since we were made, some action, in slow drips and big splashes. Glory, war, revolution, the tilts of taste and the swags of renaissance. Some dark, dark ages, too. Empire to dirt in the course of a millennium. Slices cut into our sides to fit us into a new room. A century in a cardboard box, woodworms drilling like some unscratchable itch. The goddamn vacuum cleaner banging into our legs. Light bulbs!
“Written with elegance, wit, and a flair for comic genius, Metropolitan Stories describes the museum world as it is and as it strives to be. Coulson is a brilliant narrator of the fantastical and the all-too-plausible excesses of curators and museum directors. Her infectious sense of fun, her steady flow of insights into the human heart and its foibles, her wanton but beady-eyed attention to blind ambition, her passion for art itself, and most of all her deep sense of human character make this not only a delightful book, but also a deeply rewarding one. It marks the emergence of a major new talent.” —Andrew Solomon, author of The Noonday Demon and Far from the Tree
“Only someone who deeply loves and understands the Metropolitan Museum could deliver such madcap, funny, magical, tender, intimate fables and stories. We are swept away in the museum. Beauty abounds. Yearning too. The art literally comes to life. And it makes perfect sense.” —Maira Kalman, author of The Principles of Uncertainty
“With Metropolitan Stories, Christine Coulson gives us a book as kaleidoscopic and enchanting as the museum it brings so imaginatively to life. Witty, enthralling, and utterly original, this novel is a treasure.” —Caroline Weber, Pulitzer Prize finalist for Proust’s Duchess and author of Queen of Fashion: What Marie Antoinette Wore to the Revolution
“This book—which is about art but really about life, and the afterlife of art—is a wonder. Coulson reverses the currency between spectator and spectacle, and in the process explodes the idea of how art lives. She accordions time, history, art theory, and the sub-sub culture of a massive public institution into 245 pages of mischievous, heart-tugging, and surreal fancy. My visits to the Met will never be the same.” —Leanne Shapton, National Book Critics Circle Award–winning author of Swimming Studies
“Every painting, every tapestry, every fragile, gilded chair in the Met not only has a story, but gets to tell it, in Christine Coulson’s magical book. The history, humor, wonder, and—perhaps above all—beauty that Coulson absorbed in her twenty-five years at the museum burst forth from these pages, in her wry and imaginative tales of the people and objects that make the Met all that it is.” —Ariel Levy, staff writer for The New Yorker and New York Times bestselling author of The Rules Do Not Apply
“Stories define museums, and none more so than the Met. But it takes imagination as much as knowledge to recognize and appreciate them, as Christine Coulson’s enchanting novel reveals. Melding fact and fiction, art history and autobiography, her strange tales of mutually dependent artworks and caretakers beat with a pulse that oscillates between the real and the unreal, the ordinary and the extraordinary. More than any scholar or connoisseur, Coulson’s exquisite book captures the essence of the Met—its ability to delight, surprise, astonish, and, ultimately, to dream.” —Andrew Bolton, Curator in Charge, the Metropolitan Museum’s Costume Institute
“Growing up, I loved From the Mixed-Up Files of Mrs. Basil E. Frankweiler. When I came across Metropolitan Stories, I was intrigued. Then I read it and was hooked. This is a lovely love song to the most famous museum in America. Funny doesn’t even begin to describe it. I loved it!” —Lee Virden, Monkey and Dog Books (Fort Worth, TX)