Publication Date: Nov 12, 2013
List Price US $18.95
List Price US $29.95
A remaking of Emily Brontë’s Wuthering Heights set in postwar Japan
A True Novel begins in New York in the 1960s, where we meet Taro, a relentlessly ambitious Japanese immigrant trying to make his fortune. Flashbacks and multilayered stories reveal his life: an impoverished upbringing as an orphan, his eventual rise to wealth and success—despite racial and class prejudice—and an obsession with a girl from an affluent family that has haunted him all his life. A True Novel then widens into an examination of Japan’s westernization and the emergence of a middle class.
The winner of Japan’s prestigious Yomiuri Literature Prize, Mizumura has written a beautiful novel, with love at its core, that reveals, above all, the power of storytelling.
Excerpt from A True Novel
A miracle happened to me two years ago.
It was when I was staying in Palo Alto in northern California, writing my third novel, or, more precisely, trying to write it. I lacked confidence, and progress was slow. Then, out of the blue, I was made a gift of a story, “a story just like a novel.” What is more, the story was meant for me alone. It concerned a man whom I knew, or rather whom my family knew, in New York at one time. This was no ordinary man. Leaving Japan with nothing, he arrived in the United States and made a fortune there, literally realizing the American dream. His life had taken on the status of legend among Japanese communities in New York—yet no one knew that he’d had another life back in Japan, one marked by the poverty-stricken period that followed World War II. The tale of that life would almost certainly have disappeared, lost in the stream of time, if a young Japanese man who happened to hear it had not then crossed the Pacific and hand-delivered it to me in Palo Alto, like a precious offering. Of course, the preciousness of his offering was something the young man never knew. As far as he could tell, he merely traveled on his own initiative, sought me out of his own accord, then went away when he’d told the story he wanted to tell. Yet I felt as if some invisible power had arranged to bring this messenger to me.
He took all night to tell me the story. Outside, the heaviest rainstorm in California for decades raged, trapping us in the house. The angry power of nature must have affected my nerves: when he had finished, I was in shock. It felt uncanny that I should have known someone who had lived such a life—and that, by a strange series of coincidences, his tale should have been delivered to me, and me alone.
“A riveting tale of doomed lovers set against the backdrop of postwar Japan…Mizumura’s ambitious literary and cultural preoccupations do not overwhelm the sheer force of her narrative or the beauty of her writing (in an evocative translation by Juliet Winters Carpenter)…A True Novel makes tangible the pain and the legacy of loss…[Its] psychological acuteness, fully realized characters and historical sweep push it out of the realm of pastiche and into something far more alluring and memorable.” —New York Times Book Review
“Concentric narratives connect and transform into a critical appraisal of commercial expansion and cultural decline…notable are Minae’s edgy insights into class distinctions, trans-Pacific cultures, and modernization’s spiritual void. A transparent translation and the author’s stylistic clarity smooth navigation between storylines. Photographs create the sense of browsing through an album—a nearly 900-page album encompassing two continents and several decades.” —Publishers Weekly (Starred Review)
“A smart, literate reimagining of Wuthering Heights…Mizumura’s book is an elegant construction, fully creating and inhabiting its fictional—its truly fictional—world.” —Kirkus
“[A] fascinating example of a cross-cultural adaptation…A True Novel suggests that it isn’t only writers who are influenced by timeless novels but also the forces of history itself.” —Wall Street Journal
“Ambitious…[A True Novel raises] questions about where the line between fiction and remembrance lies.” —Los Angeles Times
“The pleasures of A True Novel exceed those of the conventional storytelling kind. Mizamura is an author profoundly concerned with literary tradition and she pulls off several feats here, merging a shishosetsu work (first-person Japanese autobiographical narrative) into a honkaku shosetsu (panoramic Western novel), while successfully recasting Emily Brontë’s Wuthering Heights in a postwar Japanese setting. Its effect recalls the greatest of Yasujiro Ozu’s films or Chekhov’s shorter fiction: a deep humanism is palpable beneath the dispassionate narrative.” —Three Percent
“Stories within stories, Minae Mizumura’s A True Novel is like a set of matryoshka dolls, with the gem-like truth at its interior. Reading it, we find great moments of history intertwined with the elegance and vulnerability of the heart’s simplest and most urgent desires.” —Lucy Ferriss, author of The Lost
“With A True Novel, Mizumura delivers a haunting, poetic novel of a young Japanese girl who dances on the precipice between becoming American and remaining Japanese as she also narrates the mysterious tale of an angry Japanese man who conquers and is conquered by the America they both come to know.” —Antoinette van Heugten, best-selling author of Saving Max
“This is a book for readers who yearn for the juice and substance of nineteenth-century novels, for the drugged wonder of immersion in another world, in other souls. A True Novel not only satisfies that yearning but is a commentary on the phenomenon—and, further, a cool accounting of a traditional society’s material gains and cultural losses in the transformations of the last century. Of contemporary writers, only the likes of Ian McEwan or Jane Smiley have achieved this combination of scope and emotional power.” —Anna Shapiro, author of Living on Air
“Mizumura meets her literary challenge with impressive sophistication and irresistible emotional power…” —Booklist (Starred Review)
“Through the night, as wind and rain pummel the house, Minae enters a different reality. This is the enchantment of narrative: the exchange of one world for another, light bulbs for ghost fires. This is the promise of every novel, and Mizumura’s keeps it.” —Music & Literature
“Imaginatively sets Emily Brontë’s Wuthering Heights in postwar Japan… the narrative is colloquial, loose-limbed, and finely detailed; it’s anything but a slavish imitation of the original.” —Library Journal
“A mind-bending saga…[A True Novel] encompasses generations and continents, and Mizumura’s unfussy prose draws clear pictures of various shifting cultural patterns and behaviors.” —Bookpage
“A True Novel is a simultaneously expansive and private insight into the struggle between traditional Japanese values and incoming Western conventions, monetary wealth and spiritual value, and status and love—a work of literature not to be missed.“ —Three Percent
“[Deftly translated by Juliet Winters Carpenter…[A True Novel] is also an ambitious social critique.” —Times Literary Supplement
“Readers happy to lose themselves in a narrative but who prefer to lose themselves in a maze that is cunningly wrought, that is artful enough to stand with a book rightly called a classic, will relish “A True Novel.” —The Japan Times
“A True Novel is one of the finest novels to come out of Japan in recent years.” –The Modern Novel Blog
“A True Novel is a masterpiece that breaks down all kinds of barriers, one that deserves to transcend the borders between languages and nations as well.” –The Rumpus
“After reading this long book, full of precise tableaux of Japanese people and landscapes, one is struck with a deep sense of grief toward Japan, which has neglected its own history. There is no other way to describe the publication of A True Novel except to say, it marks a decisive moment in the history of Japanese literature.” —Natsuo Sekigawa, Asahi Shinbun
“Portrayed in the novel is romantic love that is painfully passionate and miraculously pure. We regain in reading this novel what we have almost forgotten: the excitement, sorrow, and heartache we once felt reading love stories.” —Saburo Kawamoto, Shukan Asahi
“Minae Mizumura is, to put it simply, what was missing in Japanese literature: A real woman, a real writer who writes real novels.” —Página/12 (Argentina)
“A passionate reimagining of the romantic classic Wuthering Heights by Emily Brontë that takes place within the Japanese community in the United States during World War II and the decades immediately following.” —La Nación (Argentina)